Sample modeling trumpet free download

The base material of the instruments consists of MB of samples, chromatically performed by a professional trumpet player over a very wide dynamic range. All samples are unlooped, and have a minimum duration of about 10 sec. The Trumpet engine is structured according to an adaptive model, based on the performance "fingerprints" of the real instrument.

The purpose of the model is to minimize the differences between the real phrases and those played by the virtual instrument. Proprietary modal resonance IRs, innovative techniques for sample modulation, and advanced artificial intelligence MIDI processing are used for real time construction of all articulations and morphing across dynamics, vibrato, legato, portamento, trills, vibrato-like endings, shakes and so forth. Pseudo-random detuning, based on real performance-derived pitch trends, is another outstanding new feature of The Trumpet 3, adding further realism.

It involves many new features and bugfixes, including 64 bit, extended memory and multicore support, DFD optimization, better compliance with some OS and hosts, etc. The Player is included as a separate installer, and no additional software is required to play the instrument.

The Trumpet 3 was developed on Kontakt 5. Please note, however, that it will not run on previous versions of Kontakt. The instruments can be loaded and played in the full versions of Kontakt. Please note that they cannot be opened or modified, and no access to the samples, impulse responses or instrument programming is provided.

It is well known that midi keyboards have different and uneven velocity response, and this may heavily influence the performance of a virtual instrument. To obviate this problem, the instrument includes automatic detection of any velocity inhomogeneities or non-linearity of the keyboard, and provides automatic mapping to any desired curve. NEW: Similarly, user-drawn rescaling of the expression controller allows better control of the dynamics, particularly with such input devices like breath and windcontrollers.

An outstanding feature, allowing to create real time articulations which are too difficult to perform with the usual interplay of expression pedal, pitchbend and modwheel.

Sforzato, crescendo, vibrato-like endings and different types of release, can be obtained by hitting one or more keyswitches. Please note that these are not just sampled articulations, but they are sample-modeled, indeed. This means that each time each of them will sound slightly different. No machine-gun nor mechanical repetitions here.

The trumpet, like other brass instruments, uses a wide range of mutes. The most common are Harmon with or without stem , Straight, Cup and Bucket. All these mutes are available for use with our trumpets. The latter can be instantly loaded from a drop down menu of the graphical interface, or via MIDI. Additionally, a realistic wah-wah effect can be obtained by a virtually moving plunger mute. The wah-wah can be also used in combination with any other mute.

This new feature allows precise positioning of the instruments in a virtual space, using early reflections, pre-delay, convoluted panning and perceived distance algorithms, working even in real time. The Virtual Soundstage will set you free of adding a further suitable acoustic environment, without incurring multiple-ambience issues. This can be carried out within the same Kontakt Player, which provides a high quality convolution reverb.

This is an entirely new feature, coping with the requirements of musicians using non-tempered scales, so essential in, for example, Middle Eastern and Asian music.

The scale can be saved and recalled as a preset. In addition, selective detuning can be applied to individual notes in realtime, by using third-level keyswitches, similar to those used for split portamenti, falls and doits.

The currently detuned notes are displayed in a dedicated GUI. All the controllers needed for proper functioning of the instrument are mapped to virtual knobs in five GUI panels, which can be activated by a drop down menu. The function of each controller is indicated by the associated label.

The virtual knobs permit to monitor the incoming midi data, but can also be used to directly control the instrument. This allows users of keyboards without physical MIDI controllers or knobs, to explore the expressive capabilities of The Trumpet. The sound is different, since a different harmonic resonance is excited. This is nicely reproduced by our adaptive model.

One may choose to perform a continuous portamento over two octaves by simply overlapping two notes, to split it manually playing intermediate legato notes, or to split it automatically, exploiting the natural harmonic resonances of the instrument, by a keyswitch.

One can also choose to perform chromatically-split portamento or realistic falls and doits. Playing The Trumpet 3 with either a keyboard plus breath controller e. TEControl , or directly with a windcontroller e. Yamaha or Akai is very easy. This is very convenient when using a sequencer or a large keyboard. Conversely, users of small keyboards might take advantage of transposition to conveniently exploit the full range of the instrument.

The Transpose knob greatly facilitates this task, by transposing keys and keyswitches at the same time, without the need to bother with keyboard programming. This revolutionary new feature adds a virtually infinite timbral variety to sample-based instruments, by acting on the amplitude of individual harmonics, or groups of harmonics, even in real time. This is not a graphic equalizer; the controlling bars are not assigned to fixed frequencies, but to the first 10 harmonics of the played note.

As a consequence, the affected frequencies vary with the pitch of the note. So, rising, for example, bar 1 will boost the fundamental frequency first harmonic of each note played, yielding a rounder sound. Wind Instruments 3D Models Collection 4. Cheerleader Megaphone. Band Version. Wind Instruments Collection 3.

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